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This may have been the source for the Ultra Rare Trax CD series from Swingin' Pig that started appearing in 1988, which provided takes never previously bootlegged in clarity that rivalled official releases.

During the cataloguing and review of the EMI archives in the early 1980s in preparation for the Sessions album and a multimedia show given at Abbey Road Studios, it is suspected that high quality copies of some of the material were surreptitiously made. Д®MI had planned to release an album of alternate takes and previously unreleased songs by the Beatles in 1985 called Sessions, but the Beatles objected after it had been compiled by the end of the year, bootleg copies were widely available. The biggest labels for Beatles material in the 1970s were Kornyfone (TAKRL), ContraBand, Trademark of Quality and Wizardo. Bootleggers of this era often copied and repackaged each other's releases, so popular titles often appeared from more than one bootleg label.

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In 1977, a copy of the Beatles' Decca audition tape was bought by a collector, who released the songs over a series of seven 45В rpm singles pressed on coloured vinyl with full colour picture sleeves. Other notable bootlegs to appear in the early 1970s were Yellow Matter Custard, containing 14 BBC Radio performances from 1963, (originally these tracks were thought to be from the Decca audition of January 1962, and Lennon himself told McCartney about the album) and Sweet Apple Trax, a two-volume four-disc collection of songs and jams from the Get Back rehearsal sessions first issued in 1974. John Lennon may have been the unintentional source for one of the Get Back bootlegs Lennon said: 'They say it came from an acetate that I gave to someone who then went and broadcast it as being an advance pressing or something.' This vinyl bootleg was based on an acetate of one of the early rough mixes by Glyn Johns of the Get Back album (which would later become Let It Be).

The first Beatles bootleg was Kum Back, issued around January 1970 in a plain white sleeve with plain white labels and no mention of a record company. The 1970s saw the first Beatle bootlegs issued on vinyl records. The largest single source of Beatles bootleg material is the set of Nagra audio tapes from the 1969 filming of the Get Back / Let It Be rehearsal and recording sessions.

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Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists.Д«ootleg recordings arise from a multitude of sources, including radio and TV broadcast performances, live shows, studio outtakes and session tapes, alternate mixes, test discs, and home demos. The term most often refers to audio recordings, but also includes video performances. The Beatles' bootleg recordings (also known as 'Beatlegs') are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The Beatles bootleg recordings should not be confused with Beatle boot.